朝輝記太留(1878-1938)の「体育ダンス」に関する考察 : 運動と音楽のリズムの間の関係に着目して

体育学研究 Volume 59 Issue 2 Page 609-624 published_at 2014-12
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Title
朝輝記太留(1878-1938)の「体育ダンス」に関する考察 : 運動と音楽のリズムの間の関係に着目して
Title
A study of Gymnastic Dance introduced by Kitaru Asahi (1878-1938), focusing on the relationship between the rhythm of exercises and that of music
Title Transcription
アサヒ キタル 1878 1938 ノ タイイク ダンス ニ カンスル コウサツ : ウンドウ ト オンガク ノ リズム ノ マ ノ カンケイ ニ チャクモク シテ
Creator
Kihara Seiichiro
Matsuo Chiaki
Source Title
体育学研究
Volume 59
Issue 2
Start Page 609
End Page 624
Journal Identifire
ISSN 04846710
Descriptions
Kitaru Asahi studied dance education in the USA from 1918 to 1919, and after returning to Japan he introduced American dance teaching materials, which he recommended to Japanese physical education teachers through publications and courses in dance education. The present study attempted to clarify how the idea of recommending Gymnastic Dance was realized through the dance teaching materials. First, we analyzed the characteristics of exercise consisting of steps and movements in the dance teaching materials that were introduced by Asahi. We then analyzed the relationship between the rhythm of the exercises and the rhythm of music through reference to these materials. The results were as follows: It was found that the teaching materials introduced by Asahi described various combinations of steps and movements in the dance exercises. These included walking, circling, hopping, jumping, stamping, pointing or twisting. When students exercised using the dance teaching materials, these combinations of steps and movements created active, dynamic and nimble sensations in the students through up and down, sideways, forward and backward changes in body position. It was found that these combinations of steps and movements changed the timing and direction of the exercises many times. Asahi's idea of recommending Gymnastic Dance was reflected in these characteristics of steps and movements. Also in the relationships between the rhythm of the exercises and the rhythm of music, active, dynamic and nimble sensations were evident, helping the students to perform powerful jumps. Various combinations of different exercises and music were able to change the dance rhythm to a more dynamic, high-energy form. If these different exercises and music were performed in contrasting rhythms, each component would appear to be more dynamic and singular. It appears that Asahi's idea to recommend Gymnastic Dance to Japanese physical education teachers was based on these relationships between the rhythm of exercises and that of music. Asahi expected that students in the 1920s who studied Gymnastic Dance would incorporate these active steps and movements when they danced together with classmates, and that this would assist them in realizing their goals in Physical Education.
Subjects
フォークダンス ( Other)
大正時代後期 ( Other)
歩法 ( Other)
動作 ( Other)
folk dance ( Other)
late Taisho era ( Other)
step ( Other)
movement ( Other)
Language
jpn
Resource Type journal article
Publisher
日本体育学会
Date of Issued 2014-12
Rights
日本体育学会
本文データは学協会の許諾に基づきJ-STAGEから複製したものである
Publish Type Version of Record
Access Rights open access
Relation
[DOI] 10.5432/jjpehss.13037
[NCID] AN00409623
isVersionOf [URI] https://www.jstage.jst.go.jp/article/jjpehss/59/2/59_13037/_article/-char/ja/ isVersionOf